Monday, 26 January 2009

Macca Joins Grammy Performers

The Recording Academy announced today another set of performers for next month's 51st Annual Grammy Awards, all of them Grammy nominees.

They include Paul McCartney; Radiohead in the band's first live U.S. television performance since 2000; T.I. and Justin Timberlake performing together; and Jay-Z, Lil Wayne, T.I. and Kanye West in a special performance of their hit single "Swagga Like Us," according to an Academy statement.

They join previously announced performers and nominees Kenny Chesney, Coldplay, Jennifer Hudson, Jonas Brothers, Lil Wayne, Katy Perry, and Carrie Underwood.

Additional performers and presenters will be announced soon, the Academy statement said.

The Grammys will be presented on Sunday, Feb. 8, at Staples Center in Los Angeles and broadcast on CBS from 8 p.m. to 11:30 p.m.

Last.fm Expands Its Mobile Footprint

New Mobile Application Offers Millions of Streaming Tracks and Your Last.fm Music Profile On-The-Go

Last.fm announced its launch on the Android platform, offering an 'on-the-go' music application enabling users to access all the best of Last.fm from their mobile phones. Features include similar artists and genre-specific streaming radio stations, personalized streaming radio, up-to-date concert information and the ability to track users' listening habits to their Last.fm profile. The launch of Last.fm on Android marks the latest step in Last.fm's expansion into the mobile music space. The application is available for download through the Android Market www.android.com/market/#app=lastfm.

Using the Last.fm application, users can listen to streaming radio stations such as personal recommendations, similar artists, and genre-specific tracks. Users can also share tracks with their friends on Last.fm and stream other users' stations. The new 'Background Playback' feature enables users to listen to Last.fm's streaming music while accessing other programs, such as email, without interrupting the music experience.

Last.fm users can view an on-the-go version of their personal music profiles that includes mobile versions of Last.fm Charts page and Artist pages, with biographies, tags, similar artists and top listeners, all optimized for the Android platform. Users can access Last.fm's Events listings to browse artists on tour, search for events, view Last.fm recommendations and view mapped directions to music venues.

"We are thrilled to bring Last.fm even further into the mobile music space with the launch of this app. The Last.fm service on Android enables our listeners to use virtually every Last.fm feature on their mobiles," said Martin Stiksel, Last.fm Co-Founder. "It truly is a 'to-go' version of the site. Last.fm on Android takes the mobile music experience to the next level."

Last.fm on Android follows Last.fm's successful launch on the iPhone and iPod Touch last year, as well as integrations with Vodafone, T-Mobile, and the Three/INQ1 Social Mobile in Europe. More information on Last.fm's application on the Android Platform at www.last.fm/android.

Is downloading illegal? Or isn’t it?

Is downloading illegal? Or isn’t it?

Here's some food for thought on the question of whether you are breaking the copyright laws if you download music files from, let's say "non -payment" web sites.

Crosbie Fitch is researching and developing revenue mechanisms and business models for producers of digital art and in the process, “has" so it is claimed "discovered that copyright is not only an ineffective anachronism, but is unethical and unconstitutional“.

Now, on his Digital Productions blog he says, “Let’s get the legality of downloading established once and for all.”

  • Downloading is, “the act of communicating a file from a supplier’s server computer to a recipient’s client computer, at the latter’s request, and at the former’s consent,” he says, going on
  • Downloading a file (containing or representing an intellectual work) involves the manufacture of a copy.
  • The copy is manufactured by the supplier (by their server) because they (unlike the downloader) are in receipt or possession of the source work, or have access to it.
  • The manufactured copy is communicated by the supplier to the downloader (the recipient) via a computer network (whether electronically, optically, or by radio transmission, etc.).
  • The downloader receives the manufactured copy, but does not participate in its manufacture (impossible without the source) in the download process.
  • It is possible that ephemeral, intermediate copies were produced by the network and other devices during the transmission of the copy and its storage by the recipient.
  • The recipient (their client computer) may have had to assemble the final file if the copy was transmitted in small fragments rather than in one piece, however, the act of such assembly does not constitute copying.
If the intellectual work is not protected by copyright no infringement can occur.

If the intellectual work is protected by copyright, and the supplier is not licensed by all copyright holders to the work to manufacture and distribute copies, then the supplier may infringe copyright in the process of manufacturing and supplying copies to downloaders.
In no case does the downloader, the recipient of a downloaded file, commit copyright infringement.

Having downloaded, the downloader may then commence the manufacture and supply of further copies to others, which is of course a potential infringement.

Culpability for copyright infringement lies not with who requests an act of copying, nor with who receives a copy, but with who performs the critical act of manufacturing a copy (and who distributes/transmits it).

Fitch adds, “Downloading may involve copyright infringement, but this is not an act committed by the downloader.”

Of course "Hitting The Right Note" hopes all our readers support the artists they download by making payment for the music, if the artist requires such payment, by using authorised online download stores.

Kyte Announces Agreement With Sony Music Entertainment

SME to Utilize Kyte for Online and Mobile Video Production, Distribution and Monetization

Kyte (www.kyte.com), the universal digital media platform, announced that it has reached an agreement with Sony Music Entertainment (SME) in both the United States and Germany to provide an online and mobile video platform which will enable SME's artists and labels to engage with fans through the creation and distribution of digital content that can be monetized.

Kyte provides an end-to-end, online and mobile platform for the production, distribution and monetization of digital content. The Kyte Platform enables media and entertainment brands to:
  • Produce - create or upload live and on-demand, online and mobile video and pictures
  • Distribute - broadcast content to multiple online and mobile destinations simultaneously
  • Engage - interact with an audience and build community through multimedia chat and branded user generated content
  • Analyze - report and measure distribution and user engagement
  • Monetize - create new revenue streams and monetize branded content

Artists such as Franz Ferdinand, John Legend and Raheem DeVaughn are using the Kyte Platform's flexible production tools to provide their fans with various types of content -- from authentic, raw video streamed live from a mobile phone while on tour, in the studio, or during a live performance - to professionally produced video that is uploaded to Kyte channels on various websites. 

John Legend recently used Kyte Mobile Producer to bring fans behind the scenes as he and fellow celebrities met President Barack Obama at an Inauguration Concert at the National Mall in Washington, D.C.

Fans are actively using SME Kyte channels and engaging deeply through unique interactive features, including multimedia chat, and the ability to comment and rate Kyte shows.

Overview Video

P2P Plans Shelved By Virgin

Rumours abound that Virgin Media caved in to pressure from the big players in the music industry, and shelved its plans to introduce a fully legal and above board music sharing service for their customers.

The service, due to be launched in a matter of weeks and named Virgin Music Unlimited actually represented a huge investment by the company and  it would have been the first fully legal file sharing service.

The project has been under the microscope since it was first announced, not by the music industry, but by other internet service providers and of course consumers, who would see this as an opportunity to go legal.

But if what we hear is true, Virgin Music Unlimited will not be launched. The reason is believed to be down to cost.

Tweet, Tweet: Musicians Who Twitter

The secret is out and the world has seemingly gone twitter mad and that includes the music world too with plenty of musicians taking up micro-blogging to keep us up to date on their latest projects or what they are having for lunch.

The music industry loves a good fad and it seems Twitter is following in the footsteps of Myspace, Last.fm and Facebook as a marketing tool for bands.

So, here's a list of  bands and band members, that "Hitting The Right Note" has found, who are currently tweeting away. Although the Nick Cave profile may not be the man himself, but it is pretty funny. If you find any more profiles for musicians please leave the url in the comments below.

Mixtapes let artists give freely

With the music industry increasingly more concerned about profit, some artists are finding labels less supporting and turn to free mixtapes as a form of promotion.

The term "mixtape" might conjure up the image of a 90-minute cassette with selection of carefully spaced tunes, for radio-like immediacy, to create a certain mood.  Or maybe  the 1980's old school hip-hop practice of self-distributing rap tapes, which continued until late 20th century, when CD-RW drives and mp3 availability killed the practice for everyone except the diehards.

No, the new mixtape is something else entirely. They are collections by one artist or producer that play like real albums, released without concern for copyrights or  hand-wringing record label, and beinging offered as free downloads.  Something that is proving to be a great selling point, or should that be giving-away point?

Canadian singer-producer Colin Munroe, who made an Internet splash in 2008 with his re-imagined version of Kanye West’s "Flashing Lights,” this month released "Colin Munroe Is the Unsung Hero.” 

Why is "Colin Munroe Is the Unsung Hero” a mixtape? These collections only exist as free downloads because most record labels don’t want to "clear” samples anymore. It costs a fortune to get the rights to snippets of songs, especially if multiple recordings show up in the mix. In Munroe’s case, he remixed a Bob Dylan song, quoted Joni Mitchell and covered U2’s "Sunday Bloody Sunday” as a banjo-fueled ballad, all of which would have cost a pretty penny to clear not to mention the time taken chasing all the rights holders.

Artists such as Munroe choose not to directly profit from mixtapes. They exist as products of pure creativity and calling cards for the artists’ talents.


Disconnection U-turn for Music Pirates

The widely reported proposed crackdown on music pirates, including the parents of kids who download music and films illegally, which was launched last year, to stop the crisis which is hitting the recording industry has faltered. After many months of threatening to disconnect Internet users who break the law by illegally downloading music and films the UK Government has  admitted it would be 'impossible' to enact, it was claimed today.

It is estimated that about 6.5million Brits download music and films illegally each year, which would cost the industry £1billion over the next five years.

In a campaign led by the Government to reverse a slump in CD and DVD sales, thousands of warning letters were to be sent out to online surfers across the country who  are suspected of downloading music albums and films from PCs and laptops without paying for them,

But it was claimed today, in The Times newspaper, that internet service providers will not be forced to disconnect users who repeatedly flout the law by illegally sharing music and video files. David Lammy, the Intellectual Property Minister, said that the Government had ruled out legislating to force ISPs to disconnect such users.

Lammy was speaking ahead of the publication of a report on the future of Britain's digital industries, which was due out today (Monday 26th January 2009) but has been delayed until possibly Thursday.  Mr Lammy admits that there were very complex legal issues wrapped up in enforced disconnection and he hoped the 'heavy hand of legislation' would not be necessary. He added: "I'm not sure it's actually going to be possible."

The BPI, the body that represents the British record industry, and how having been pushing for the disconnection of repeat offenders, has not yet commented on this latest development.

Record time for records

Vinyl is back.

Are you old enough to remember vinyl records or do you have memories of those large black discs that many of our parents have rotting away in their closets are making a comeback. Well according to Nielsen Soundscan sales of vinyl have risen by 89 percent from 2007 to 2008 while CD sales continued their march downward by 14 percent.  So are we seeing an analog resurrection?

Occurring mostly in the indie music scene, with bands like Radiohead, Fleet Foxes, Portishead and Neutral Milk Hotel all among the top 10 vinyl sellers of 2008. But we aren't seeing a resurgence of cassette tapes, 8 tracks or VHS tapes in the entertainment industry, so why records?

 Perhaps the first obvious reason for people buying records again is simply because it's seen to be cool. We see records used in movies and TV shows, and many of us have grown up listening to The Beatles or The Beach Boys revolving on turntables. Anything that reminds us of growing up and being a child has an automatic draw to it , and the doubling of vinyl may also be  an indication that a generation of music lovers wants it back.

Modern, young music fans been downloading their music for most of their lives, but many "older" fans feel unsatisfied with digital copies of music. Maybe even cheated when the act of making a few clicks and you get your music.

There's something almost magical about going to a store, for some people, and buying a physical copy of the music, and at this point CDs are simply out of style. The act of peeling off the shrink wrap, opening up the gatefold, putting the album on the turntable, and listening to a new album is an experience in itself.

Records can cost around the price of a CD and many come with a free download key to get a legitimate high-quality MP3 version for your portable mp3 player. For some the benefits for buying records can often outweigh the cost, especially if you're already a small-time collector. 

Perhaps this phenomenon can give lessons to the music industry and the movie industry regarding enforcement of illegal file sharing. The record executives should learn that the only true way to compete with a free product is to make a better, more-desired product. A product that people don't actually mind paying for. Since it already has a firm and growing cult base and with the flux of record sales, many record companies invest in the image and marketing of vinyl.

What better way to liven the atmosphere and relax with your music than listening to records in your home? Plus of course you can enjoy the artists' artwork and support your struggling musicians.

Finally there is one thing you can't do with a downloaded mp3 file that you can do with a discarded vinyl disk .... make a lovely fruit bowl.